TY - JOUR
T1 - Study of stage acoustic parameters of Cak Durasim concert hall Surabaya for javanese traditional dance performance
AU - Alfianti, Dita Aulia
AU - Pratiwi, Retno Ajeng
AU - Suyatno,
N1 - Publisher Copyright:
© Published under licence by IOP Publishing Ltd.
PY - 2019/2/26
Y1 - 2019/2/26
N2 - One of the important things in stage acoustic is how a performer can hear their own and their comrades' musical instrument. Stage acoustics condition for Indonesian traditional music will affect the quality and harmonization of the performance. Music on traditional dance performance has an important role in determining the dance movement. This paper discusses the stage acoustic parameters for a Javanese traditional dance performance on Cak Durasim Concert Hall Surabaya based on the optimum acoustics parameters of the Javanese gamelan as an accompanying music for Javanese traditional dance. Those parameters are loudness level, RT, BR, TR, C80, D50 and Support. Measurements were made with two variations of sound source position, which are on the corner in front of the stage and on the center in front of the stage. According to the measurement result and analysis, the optimum position for gamelans' player is on the corner in front of the stage, but with the loudness level distribution having a 4dB difference between the nearest and farthest positions from the source. This result is also supported on the aesthetic side of the layout of the show because its location does not affect the visual side that became the main focus of dance performances.
AB - One of the important things in stage acoustic is how a performer can hear their own and their comrades' musical instrument. Stage acoustics condition for Indonesian traditional music will affect the quality and harmonization of the performance. Music on traditional dance performance has an important role in determining the dance movement. This paper discusses the stage acoustic parameters for a Javanese traditional dance performance on Cak Durasim Concert Hall Surabaya based on the optimum acoustics parameters of the Javanese gamelan as an accompanying music for Javanese traditional dance. Those parameters are loudness level, RT, BR, TR, C80, D50 and Support. Measurements were made with two variations of sound source position, which are on the corner in front of the stage and on the center in front of the stage. According to the measurement result and analysis, the optimum position for gamelans' player is on the corner in front of the stage, but with the loudness level distribution having a 4dB difference between the nearest and farthest positions from the source. This result is also supported on the aesthetic side of the layout of the show because its location does not affect the visual side that became the main focus of dance performances.
UR - http://www.scopus.com/inward/record.url?scp=85062877682&partnerID=8YFLogxK
U2 - 10.1088/1742-6596/1153/1/012007
DO - 10.1088/1742-6596/1153/1/012007
M3 - Conference article
AN - SCOPUS:85062877682
SN - 1742-6588
VL - 1153
JO - Journal of Physics: Conference Series
JF - Journal of Physics: Conference Series
IS - 1
M1 - 012007
T2 - 9th International Conference on Physics and Its Applications, ICOPIA 2018
Y2 - 14 August 2018 through 14 August 2018
ER -